Tag Archives: media

Journalismus und Digitalisierung

Ich unterrichte im Wintersemester ein Einführungsseminar zu “Journalismus und Digitalisierung” am Institut für Publizistik und Kommunikationswissenschaft der FU Berlin.

Nachdem nun lange genug von einer Krise die Rede war, zeigen neueste Entwicklungen die Innovationsfähigkeit und nach wie vor hohe Relevanz des Journalismus: twitternde Chefredakteure, data-driven journalism oder hyperlokale journalistische Produkte um nur einige zu nennen. Dieses Seminar gibt einen Überblick zu den neuesten Entwicklungen im Journalismus, vor allem in Deutschland.

Themen des Seminars sind unter anderem die Veränderung der Produktionsbedingungen von Nachrichten (z.B. newsrooms, structured journalism), die Beziehungen zwischen journalistischen Akteuren und ihrem Publikum, neue Modelle der Finanzierung journalistischer Produkte (z.B. durch crowdfunding), die Pluralisierung von Nutzungs- und Verbreitungsformen, wie auch gänzlich neue Formen journalistischer Expertise (data-driven journalism, social curation, citizen journalism).

Themen (en detail)

  • Digitalisierung und Innovation im Journalismus
  • Journalistische Arbeitsumgebungen: Von der Redaktion zum Newsroom
  • Partizipation am und im Journalismus
  • Bürgerjournalismus online
  • Journalismus und Soziale Medien – Persönliche Öffentlichkeiten
  • Datenjournalismus und Structured Journalism
  • Multimedia-Journalismus
  • Wikileaks und die JournalistInnen
  • Crowdfunding und Journalismus
  • Hyperlokaler Journalismus
  • Perspektiven der Journalismusforschung

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New Article Out: ‘REAL PICTURES OF CURRENT EVENTS’: The photographic legacy of journalistic objectivity

After some time of preparation and strenuous revising, my article on “The photographic legacy of journalistic objectivity” is now out online in Media History. With images.

My basic argument is that the emergence of an ideal of objectivity in American journalism and the photomechanical processes that made photography available as photography in mass print (via the halftone process of reproduction) need to be considered in conjunction. The debate about the value of images and the advantages and deficiencies of certain illustration techniques prefigured the formulation of an ideal of objectivity in journalism, that was, at least until the end of the 19th century, heavily imbued with photographic metaphors. The article appears as part of a special issue of Media History (Volume 21, Issue 3), edited by Marcel Broersma and John Steel on “Redefining Journalism During the Period of the Mass Press 1880–1920”  (See the introduction).

Abstract

Objectivity has been regarded as a central ideal of American journalism in the early twentieth century. The concurrent emergence of photography in the press is rarely associated with this development. The article explores the photographic legacy of journalistic objectivity by discussing a crucial phase in the development of reproduction media for images, the transition from wood engravings to halftones. The former was the dominant mode of ‘illustrated journalism’, the latter became the dominant mode of reproducing photojournalism in print in the twentieth century. The halftone process introduced an equivalence between photographs and their reproductions, obliterating the mediation that had taken place in a code of reproduction that was almost imperceptible. In the contested adoption of the halftone process, it is argued, a shifting valuation of photographs can be observed that prefigures the formulation of objectivity as a transparent code of mediation in journalism.

Citation

Raetzsch, Christoph (2015). ““Real Pictures of Current Events“: The Photographic Legacy of Journalistic Objectivity.” Media History 21(3): 294-312. doi:10.1080/13688804.2015.1053387.

Links

First 50 readers can use the free download: http://www.tandfonline.com/eprint/kYfHUuTBSuEDkeutF2wP/full