Category Archives: Network

The November Playlist

The monthly update on smash hits and rare tunes in media and communication studies. A personal collection.

Of Note

Academia’s Magic and Dread Nature has a special issue on Young Scientists and Career Prospects (h/t ZEIT.de)

Books

The Who’s Who in Journalism Studies Today – Thinking: Chris Peters,  Marcel Broersma (eds.). Rethinking Journalism Again: Societal role and public relevance in a digital age. Abingdon: Routledge.

Rewiring the Digital Mind: Douglas Coupland (2016). Bit Rot. London: William Heinemann (h/t M.Lange). In parallel and extension of the exhibition at Witte de Witt in Rotterdam until 3 January.

The Making of Collective Memory in/thru the Media: Sonnevend, Julia (2016). Stories Without Borders: The Berlin Wall and the Making of a Global Iconic Event. New York: Oxford University Press.

Embedding the Mobile Me: Adriana de Souza e Silva (ed.) (2016). Dialogues on Mobile Communication. Abingdon: Routledge.

In production – high expectations: Mirko Schäfer & Karin van Es (eds.). Datafied Society – Studying Culture Through Data. Amsterdam: Amsterdam University Press.

Linked: Starosielski, Nicole (2015). The Undersea Network. Durham and London: Duke University Press.

Processing Links of Networks: Parks, Lisa; Starosielski, Nicole (eds.) (2015). Signal Traffic: Critical Studies of Media Infrastructures. Chicago IL.: University of Illinois Press.

The Idioms and Pathologies of Networks: Bollmer, Grant (2016). Inhuman Networks: Social Media and the Archaeology of Connection. New York: Bloomsbury.

Articles

“[T]he ‘collective’ is experienced through the ‘individual’ and the group is the means of collective action”: Milan, Stefania (2015). “From Social Movements to Cloud Protesting: The Evolution of Collective Identity.” Information, Communication & Society 18(8): 887-900. https://dx.doi.org/10.1080/1369118X.2015.1043135

Personal Politics: Thomas Poell & José van Dijck (2016). Constructing Public Space: Global Perspectives on Social Media and Popular Contestation. International Journal of Communication, 10, 226-234. http://ijoc.org/index.php/ijoc/article/view/4984/1535

Meet-up

It’s ECREA again. In Prague. 9-12 November. Make sure to connect to the Digital Culture and Communication Section.

In December:Infrastructures of Publics – Publics of Infrastructures” University of Siegen. Hosted by SFB 1187 Media of Cooperation

Loud and Live: Autechre Live Europe–Onesix in Berlin 19 Nov @Kraftwerk [and sold out]. At home/In the Studio: Reissue of Autechre Classics Amber, Incunabula & Tri Repetae. Start of sale for repress vinyl bundle November 11.

Why does everyone think that sampling started modern electronic music? It started with sequencing analog synths.  Benge explains creating a sequence on a modular syntheziser.

Want to stay tuned for the next playlist? Follow me on Twitter. Want to add tunes? Comment.

Disclaimer: The research, literature or events listed here are recommended based on my own interests, and are not sponsored. Pictures are my own. Trees too.

The September Playlist

The monthly update on smash hits and rare tunes in media and communication studies. A personal collection.

Articles

The mobile bone: Zhang, Yanqing; Juhlin, Oskar (2016). “The “Life and Death” of Great Finnish Fashion Phones: A Periodization of Changing Styles in Nokia Phone Design between 1992 and 2013.” Mobile Media & Communication 4(3): 385-404. https://dx.doi.org/10.1177/2050157916654510

Give and take: Holton, Avery E.; Coddington, Mark; Lewis, Seth C.; Zuniga, Homero Gil de (2015). “Reciprocity and the News: The Role of Personal and Social Media Reciprocity in News Creation and Consumption.” International Journal of Communication 9: 2526-2547.

High Expectations: Borger, Merel; van Hoof, Anita; Sanders, José (2016). “Expecting Reciprocity: Towards a Model of the Participants Perspective on Participatory Journalism.” New Media & Society 18(5): 708-725. https://dx.doi.org/10.1177/1461444814545842

The 4A Matrix of Media Change: Westlund, Oscar; Lewis, Seth C. (2014). “Agents of Media Innovations: Actors, Actants, and Audiences.” The Journal of Media Innovations 1(2): 10-35. To be reissued in Steensen, S., Ahva, L. (eds.) (2017). “Theories of Journalism in a Digital Age“. Abingdon: Routledge.

Books

Forget about contingency: Harman, Graham (2016). Immaterialism: Objects and Social Theory. Basingstoke: Polity Press.

Mixed Feelings: Broadbent, Stefana (2016). Intimacy at Work: How Digital Media Bring Private Life to the Workplace. Walnut Creek, CA.: Left Coast Press.

Back in Paperback: Hermida, Alfred (2014). Tell Everyone: Why We Share and Why it Matters. Toronto: Doubleday Canada.

The Spectre Haunting Modern Media: Natale, Simone (2016). Supernatural Entertainments: Victorian Spiritualism and the Rise of Modern Media Culture. University Park, PA.: The Pennsylvania State University Press.

Miscellany

Dataism vs. Humanism: Yuval Noah Harari on big data, Google and the end of free will. Financial Times, 26 August 2016

Symphonic Blast: Christian Fennesz to play in Japan, two dates with Kyoto Symphonic Orchestra at Miyako Messe

Use Cases for Web Archives: Submissions of abstracts opens for RESAW – Research Infrastructure for the Study of Archived Web Materials – to be held in London 14–15 June 2017. See page or call for papers.

Notes and Quotes

Unruly rules: Gearing up for the annual conference of the Association of Internet Researchers (AoIR) in Berlin. 5-8 October. What a line-up.

The public sphere as space of signs?
“The public sphere is thus a generic term denoting all virtual or real spaces, the contents of which obtain general visibility or audibility. These spaces are public spaces—space meaning any container of signs that can be sensorily accessed with or without mediation.”

Adut, Ari. 2012. “A Theory of the Public Sphere.” Sociological Theory 30(4): 238-262. https://dx.doi.org/10.1177/0735275112467012 (see p.243)

Want to stay tuned for the next playlist? Follow me on Twitter. Want to add tunes? Comment.

Disclaimer: The research, literature or events listed here are recommended based on my own interests, and are not sponsored. Pictures are my own. Trees too.

 

 

Knight-Mozilla Fellowships in OpenNews: call open till August 21, 2015

The Knight Foundation and Mozilla have launched Open News, a program to explore new ways of doing journalism through software coding, data exploration and presentation. For 2016, there are stupendously generous fellowships available for interested scholars, programmers and/or journalists to work with selected partners:

Source and further info: The Knight-Mozilla Fellowships: How to Apply

Workshop on Visual Methods in Aarhus

via Anne Marit Waade

The University of Aarhus is holding a PhD workshop on Visual Culture and Visual Methods, June 10-16. Exploring innovative approaches to practice and artefact-based research, participants will have an introductory session with keynotes before embarking to Northside music festival as their research location.

We will use the festival as a laboratory for different types of empirical studies. We will focus on the exploration of how visual impressions and expressions, including digital visual media (such as Instagram, mobile camera, website) interweaves with (maybe reinforces, maybe contradicts?) the participant’s experience of the music festival.

Keynote speakers are

  • Sarah Pink, Professor in Design Research Institute, School of Media and Communications at RMIT, Melbourne, Australia
  • Annette Markham, Affiliate Professor of Digital Ethics&  Communication, Loyola University, Chicago, and Associate Professor in Information
    Studies, Aarhus University
  • Anne Marit Waade, Associate Professor, Media studies, Dept. of Aesthetics &  Communication, Aarhus University, Denmark

Apply by April 1 via the workshop website.

 

Featured with pleasure on raetzsch.berlin

The Network Celebrity

Fred Turner and Christine Larson, both researchers at Stanford University, have just published an article in Public Culture on a new type of celebrity – the network intellectuals. Discussing the examples of Norbert Wiener, Stuart Brand and Tim O’Reily, the authors present a compelling account of how opinion leadership is both outcome of network effects and entrepreneurial zest to create those networks and opportunities in the first place.

In their historical and iconographic review of Wiener, O’Reilly and Brand, the authors find that the network intellectual is both a spokesperson, who condenses interests not yet formulated as an agenda, as someone who is actively pursuing to build a community to support his (or her) interests and who is committed to spreading a worldview beyond those circles.

Their power and their celebrity no longer come from the ability to express ideas in words or the ability of mass media technologies to broadcast images around the world. Rather, they come from the ability to build new social networks, to generate new ideas, new language, and new identities within them and, ultimately, to promulgate these networks’ labors—all in such a way that entrepreneurs can come to stand before the public as emblems of the worlds they have helped create. Celebrities in this model are hardly empty vessels. Rather, they are full to the brim with the cultural assumptions and social aspirations of the communities they represent (p. 80)

Turner, Fred, & Larson, Christine. (2015). “Network Celebrity: Entrepreneurship and The New Public Intellectuals.” Public Culture 27(1): 53-84. doi:10.1215/08992363-2798343

Further reading:

The Nodes in Academic Publishing

Back in 2010, Nicholas Knouf developed a visualization of journals belonging to Elsevier, John Wiley & Sons, Taylor & Francis, and Springer among others. His findings were published in Vol. 1, No. 1 of the open access Journal of Journal  Performance Studies, a publication created expressly for this task that never saw a second issue.

In total, Knouf analyzed 16,000 journals, rendering transparent what many scholars knew for a long time. The publishing of academic journals shows similar signs of concentration like other industries handling time-sensitive goods. The irony is of course that knowledge used to mature in far slower intervals, in which the quarterly appearance of a journal was merely a way to test new ideas and present preliminary findings. Before the book was out. Now, articles online “ahead of print” are already cited by colleagues before their author ever hold a printed copy in their hands. It’s online first (and soon only).

 

via Rogue Scholar Research Group

Support the “World Hobbit Project”

Reposted call from Martin Barker (mib@aber.ac.uk):

The “World Hobbit Project” is a seriously ambitious attempt to gather responses right across the world to the films of The Hobbit with the aim of being able to explore both the patterning of the reception of the films (against many variables [country, language, age, sex, educational level, kind of work]) but also to open up an investigation into the changing position of ‘fantasy’ in contemporary culture.

With just a very small research grant from the UK’s British Academy, research partners in 47 countries agreed on a complex quali-quantitative questionnaire, which is currently recruiting responses in 33 languages at this address:

www.worldhobbitproject.org.

There are already 27,500 responses but we do need more, to be sure that we can with confidence make cross-cultural comparisons, and we have absolutely no money for publicising the project.  We will be hugely grateful if colleagues could help in different ways:

  • complete the survey yourself, if you have seen the films.
  • pass on this information to students, colleagues, family, friends, and asking them to do the same.
  • mention and point to the project’s address in blogs, postings, and conversations.

What can we offer in return?  All our findings will be made publicly available, in as many forms as we are able; and once we have completed our own work on the database, the entire body of data and materials will be placed in the public domain for other researchers to use in whatever way they choose.

Best wishes, and thanks everyone

Martin Barker (mib@aber.ac.uk)

Find the World Hobbit Project on:
– WordPress:http://globalhobbitca.wordpress.com/
– Facebook:https://www.facebook.com/WorldHobbitProject
– Twitter:https://twitter.com/WorldHobbit
– Pinterest:http://www.pinterest.com/ghobbit/
– Tumblr:http://world-hobbit.tumblr.com/
– Youtube:https://www.youtube.com/channel/UCYsI3JEi8iwK4nCCsZin_4Q/playlists

Supported with pleasure by raetzsch.berlin